Film Criticism, Volumer 9-10

Abuta adaptation aesthetic Agee Aldo Allegheny College American Antonioni audience authorship becomes Bertolucci camera characters Chatman Citizen Kane contemporary context cultural director discourse documentary editing fact father Fellini female feminist film figure film criticism film noir film's filmmakers final French cinema gaze genre German Godard Goodson Grido Guido Helke Sander Hitchcock Hollywood horror ideological Il Grido issue Italian Japanese Je vous salue Joel Joel's Kane Kazan Kolker Ladd Lana Last Tycoon Leone Leone's literary living look Margarethe von Trotta moral movie murder myth narration narrative neorealism novel Once Ossessione Parry Parry's perspective point of view political production protagonist rakugo Ray's relationship Risky Business role salue Marie scene screen script seems sense sequence Sergio Leone sexual shot simply Sirk's Škvorecký social spectator story structure style suggests Trotta viewer Visconti visual Wilma woman women women film women's cinema Yamada York