Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 20
... Richard the Second when he was de- pos'd , and led in Triumph through the Streets of London by Henry of Bullingbrook : the painting of it is so lively , and the words so moving , that I have scarce read any thing comparable to it , in ...
... Richard the Second when he was de- pos'd , and led in Triumph through the Streets of London by Henry of Bullingbrook : the painting of it is so lively , and the words so moving , that I have scarce read any thing comparable to it , in ...
Side 126
... Richard and Macbeth , as represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the ...
... Richard and Macbeth , as represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the ...
Side 134
... Richard . He wishes not to gain the affections , but to secure the submission of his subjects , and is happy to see men shrink under his controul . But Macbeth , on the contrary , reckons among the miseries of his condition mouth ...
... Richard . He wishes not to gain the affections , but to secure the submission of his subjects , and is happy to see men shrink under his controul . But Macbeth , on the contrary , reckons among the miseries of his condition mouth ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers