Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 162
... character of the like nature with that of Parolles or of Bobadil , we should preserve for him a great degree of ... character ? Perhaps , after all , the real character of Falstaff may be different from his apparent one ; and possibly ...
... character of the like nature with that of Parolles or of Bobadil , we should preserve for him a great degree of ... character ? Perhaps , after all , the real character of Falstaff may be different from his apparent one ; and possibly ...
Side 171
... character act and speak from those parts of the composition , which are inferred only , and not distinctly shewn . This produces a wonderful effect : it seems to carry us beyond the poet to nature itself , and gives an integrity and ...
... character act and speak from those parts of the composition , which are inferred only , and not distinctly shewn . This produces a wonderful effect : it seems to carry us beyond the poet to nature itself , and gives an integrity and ...
Side 199
... character , which to reconcile with our admiration of Hamlet , the most patient consideration of his situation is no more than necessary ; they are what we forgive after- wards , and explain by the whole of his character , but at the ...
... character , which to reconcile with our admiration of Hamlet , the most patient consideration of his situation is no more than necessary ; they are what we forgive after- wards , and explain by the whole of his character , but at the ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers