Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 177
... delightful I These observations have brought me so near to the regions of Poetic magic , ( using the word here in its ... delight the tripping fairy , whose shadowy topic has drawn me far beyond my design : I THE CHARACTER OF FALSTAFF 177.
... delightful I These observations have brought me so near to the regions of Poetic magic , ( using the word here in its ... delight the tripping fairy , whose shadowy topic has drawn me far beyond my design : I THE CHARACTER OF FALSTAFF 177.
Side 308
... delights not me , nor woman neither , though by your smiling you seem to say so . Which is explained by their an- swer - ' My lord , we had no such stuff in our thoughts . But we smiled to think , if you delight not in man , what lenten ...
... delights not me , nor woman neither , though by your smiling you seem to say so . Which is explained by their an- swer - ' My lord , we had no such stuff in our thoughts . But we smiled to think , if you delight not in man , what lenten ...
Side 328
... delight and hurt not . Sometimes a thousand twanging instruments Will hum about mine ears , and sometimes voices , That if I then had waked after long sleep , Would make me sleep again . Observe , too , that this and the other poetical ...
... delight and hurt not . Sometimes a thousand twanging instruments Will hum about mine ears , and sometimes voices , That if I then had waked after long sleep , Would make me sleep again . Observe , too , that this and the other poetical ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers