Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 130
... effect imply that he has a natural propensity to evil ; crimes are his delight : but Macbeth is always in an agony when he thinks of them . He is sensible , before he proceeds , of He feels the heat - oppressed brain . the present ...
... effect imply that he has a natural propensity to evil ; crimes are his delight : but Macbeth is always in an agony when he thinks of them . He is sensible , before he proceeds , of He feels the heat - oppressed brain . the present ...
Side 331
... effect for which I never could account . The effect was , that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavoured with my under- standing to comprehend this , for ...
... effect for which I never could account . The effect was , that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavoured with my under- standing to comprehend this , for ...
Side 332
... effect every day of his life . The reason is that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is ...
... effect every day of his life . The reason is that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers