Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 46
... less strong than the former ) may be deduced from our Author's being a Player , and forming himself first upon the judgments of that body of men whereof he was a member . They have ever had a Standard to themselves , upon other ...
... less strong than the former ) may be deduced from our Author's being a Player , and forming himself first upon the judgments of that body of men whereof he was a member . They have ever had a Standard to themselves , upon other ...
Side 150
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
Side 218
... less valuable , not less indis- pensable mark Γονίμου μὲν ποιητοῦ —ὅστις ῥῆμα γενναῖον λάκοι , will the imagery supply , when , with more than the power of the painter , the poet gives us the liveliest image of succession with the ...
... less valuable , not less indis- pensable mark Γονίμου μὲν ποιητοῦ —ὅστις ῥῆμα γενναῖον λάκοι , will the imagery supply , when , with more than the power of the painter , the poet gives us the liveliest image of succession with the ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers