Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 96
... pass , and that no more account of space or duration is to be taken by the auditor of a drama , than by the reader of a narrative , before whom may pass in an hour the life of a hero , or the revolutions of an empire . Whether ...
... pass , and that no more account of space or duration is to be taken by the auditor of a drama , than by the reader of a narrative , before whom may pass in an hour the life of a hero , or the revolutions of an empire . Whether ...
Side 289
... passing scene - the gusts of passion come and go like sounds of music borne on the wind . The whole play is an exact ... passes shew . ' We read the thoughts of the heart , we catch the passions living as they rise . Other dramatic ...
... passing scene - the gusts of passion come and go like sounds of music borne on the wind . The whole play is an exact ... passes shew . ' We read the thoughts of the heart , we catch the passions living as they rise . Other dramatic ...
Side 336
... pass self - with- drawn into a deep syncope and suspension of earthly passion . Hence it is , that when the deed is done , when the work of darkness is perfect , then the world of dark- ness passes away like a pageantry in the clouds ...
... pass self - with- drawn into a deep syncope and suspension of earthly passion . Hence it is , that when the deed is done , when the work of darkness is perfect , then the world of dark- ness passes away like a pageantry in the clouds ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers