Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 230
... poet , not less deserving our wonder than his genius ? -Or , again , to repeat the question in other words : -Is ... poetry , like all other living powers , must of necessity circumscribe itself by rules , were it only to unite power ...
... poet , not less deserving our wonder than his genius ? -Or , again , to repeat the question in other words : -Is ... poetry , like all other living powers , must of necessity circumscribe itself by rules , were it only to unite power ...
Side 314
... poetry and epic in their perfection , indeed , approximate to and strengthen one another . Dramatic poetry borrows aid from the dignity of persons and things , as the heroic does from human passion , but in theory they are distinct ...
... poetry and epic in their perfection , indeed , approximate to and strengthen one another . Dramatic poetry borrows aid from the dignity of persons and things , as the heroic does from human passion , but in theory they are distinct ...
Side 315
... poetry is , that it is an experiment to reduce poetry to a mere effusion of natural sensibility ; or what is worse , to divest it both of imaginary splendour and human passion , to surround the meanest objects with the morbid feelings ...
... poetry is , that it is an experiment to reduce poetry to a mere effusion of natural sensibility ; or what is worse , to divest it both of imaginary splendour and human passion , to surround the meanest objects with the morbid feelings ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers