Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 3
... praise too much . ' Tis true , and all mens suffrage . But these wayes Were not the paths I meant vnto thy praise : For seeliest Ignorance on these may light , Which , when it sounds at best , but eccho's right ; Or blinde Affection ...
... praise too much . ' Tis true , and all mens suffrage . But these wayes Were not the paths I meant vnto thy praise : For seeliest Ignorance on these may light , Which , when it sounds at best , but eccho's right ; Or blinde Affection ...
Side 47
... Praise by some ; and to this his Errors have as injudiciously been ascribed by others . For ' tis certain , were it true , it could concern but a small part of them ; the most are such as are not properly Defects , but Superfœtations ...
... Praise by some ; and to this his Errors have as injudiciously been ascribed by others . For ' tis certain , were it true , it could concern but a small part of them ; the most are such as are not properly Defects , but Superfœtations ...
Side 108
... praise , unless Spenser may divide it with him , of having first discovered to how much smoothness and harmony the English language could be softened . He has speeches , perhaps sometimes scenes , which have all the delicacy of Rowe ...
... praise , unless Spenser may divide it with him , of having first discovered to how much smoothness and harmony the English language could be softened . He has speeches , perhaps sometimes scenes , which have all the delicacy of Rowe ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers