Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 158
... principles of character , which seem wholly out of the reach of the Understanding . We can- not indeed do otherwise than admit that there must be distinct principles . of character in every distinct indivi- dual : The manifest variety ...
... principles of character , which seem wholly out of the reach of the Understanding . We can- not indeed do otherwise than admit that there must be distinct principles . of character in every distinct indivi- dual : The manifest variety ...
Side 167
... principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the ...
... principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the ...
Side 170
... principles of being , and to have an existence independent of the accidents , which form their magnitude or growth : Those accidents are supposed to be drawn in from the surrounding elements , but not indiscrimi- nately ; each plant and ...
... principles of being , and to have an existence independent of the accidents , which form their magnitude or growth : Those accidents are supposed to be drawn in from the surrounding elements , but not indiscrimi- nately ; each plant and ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers