Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 229
... stand in the sun . And let me remark , that this will not tend to produce despotism , but , on the contrary , true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true in human ...
... stand in the sun . And let me remark , that this will not tend to produce despotism , but , on the contrary , true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true in human ...
Side 273
... stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity ... stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through ours ...
... stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity ... stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through ours ...
Side 331
... standing to comprehend this , for many years I never could see why it should produce such an effect . Here I pause for one moment , to exhort the reader never to pay any attention to his understanding , when it stands in opposition to ...
... standing to comprehend this , for many years I never could see why it should produce such an effect . Here I pause for one moment , to exhort the reader never to pay any attention to his understanding , when it stands in opposition to ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers