Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 175
... thing ; every thing is complicated , every thing is plain . I restrain the further expressions of my admira- tion lest they should not seem applicable to man ; but it is really astonishing that a mere human being , a part of humanity ...
... thing ; every thing is complicated , every thing is plain . I restrain the further expressions of my admira- tion lest they should not seem applicable to man ; but it is really astonishing that a mere human being , a part of humanity ...
Side 211
... thing , to make all things natural . Whereas the reading of a tragedy is a fine abstraction . It presents to the fancy just so much of external appearances as to make us feel that we are among flesh and blood , while by far the greater ...
... thing , to make all things natural . Whereas the reading of a tragedy is a fine abstraction . It presents to the fancy just so much of external appearances as to make us feel that we are among flesh and blood , while by far the greater ...
Side 360
... things , especi- ally of men , that Shakspeare is great . All the greatness of the man comes out decisively here . It is unexampled , I think , that calm creative perspicacity of Shakspeare . The thing he looks at reveals not this or ...
... things , especi- ally of men , that Shakspeare is great . All the greatness of the man comes out decisively here . It is unexampled , I think , that calm creative perspicacity of Shakspeare . The thing he looks at reveals not this or ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers