Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 sider Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Side 75
... tion of this mighty Genius depends upon the naked Plot , or Story of his Plays . He lived in an Age when the Books of Chivalry were yet popular , and when there- fore the Minds of his Auditors were not accustomed to balance ...
... tion of this mighty Genius depends upon the naked Plot , or Story of his Plays . He lived in an Age when the Books of Chivalry were yet popular , and when there- fore the Minds of his Auditors were not accustomed to balance ...
Side 118
... tion , that the mind , which once ventures within it , is hurried irresistibly along . On the seeming improbability of Lear's conduct it may be observed , that he is represented according to histories at that time vulgarly received as ...
... tion , that the mind , which once ventures within it , is hurried irresistibly along . On the seeming improbability of Lear's conduct it may be observed , that he is represented according to histories at that time vulgarly received as ...
Side 161
... tion . It is strange then that it should now be a question , whether Falstaff is , or is not a man of Courage ; and whether we do in fact contemn him for the want , or respect him for the possession of that quality : And yet I believe ...
... tion . It is strange then that it should now be a question , whether Falstaff is , or is not a man of Courage ; and whether we do in fact contemn him for the want , or respect him for the possession of that quality : And yet I believe ...
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JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers