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VI.

ficently, and drew on herself much keen ridicule by CHAP. appearing in the theatre and the ring plastered, painted, clad in Brussels lace, glittering with diamonds, and affecting all the graces of eighteen.*

The nature of her influence over James is not easily to be explained. He was no longer young. He was a religious man; at least he was willing to make for his religion exertions and sacrifices from which the great majority of those who are called religious men would shrink. It seems strange that any attractions should have drawn him into a course of life which he must have regarded as highly criminal; and in this case none could understand where the attraction lay. Catharine herself was astonished by the violence of his passion. "It cannot be my beauty," she said; "for he must see that I have none; and it cannot be my wit, for he has not enough to know that I have any."

more.

At the moment of the King's accession a sense of the new responsibility which lay on him made his mind for a time peculiarly open to religious impressions. He formed and announced many good resolutions, spoke in public with great severity of the impious and licentious manners of the age, and in private assured his Queen and his confessor that he would see Catharine Sedley no He wrote to his mistress intreating her to quit the apartments which she occupied at Whitehall, and to go to a house in Saint James's Square which had been splendidly furnished for her at his expense. He at the same time promised to allow her a large pension from his privy purse. Catharine, clever, strongminded, intrepid, and conscious of her power, refused to stir. In a few months it began to be whispered that the services of Chiffinch were again employed, and that the mistress frequently passed and repassed through that private door through which Father Huddleston had borne the host to the bedside of Charles. The King's Protestant

* See Dorset's satirical lines on her.

1686.

VI. 1686.

CHAP. ministers had, it seems, conceived a hope that their master's infatuation for this woman might cure him of the more pernicious infatuation which impelled him to attack their religion. She had all the talents which could qualify her to play on his feelings, to make game of his scruples, to set before him in a strong light the difficulties and dangers into which he was running headlong. Intrigues of Rochester, the champion of the Church, exerted himRochester self to strengthen her influence. Ormond, who is popuCatharine larly regarded as the personification of all that is pure

in favour of

Sedley.

and highminded in the English Cavalier, encouraged the design. Even Lady Rochester was not ashamed to cooperate, and that in the very worst way. Her office was to direct the jealousy of the injured wife towards a young lady who was perfectly innocent. The whole court took notice of the coldness and rudeness with which the Queen treated the poor girl on whom suspicion had been thrown: but the cause of Her Majesty's ill humour was a mystery. For a time the intrigue went on prosperously and secretly. Catharine often told the King plainly what the Protestant Lords of the Council only dared to hint in the most delicate phrases. His crown, she said, was at stake: the old dotard Arundell and the blustering Tyrconnel would lead him to his ruin. It is possible that her caresses might have done what the united exhortations of the Lords and the Commons, of the House of Austria and the Holy See, had failed to do, but for a strange mishap which changed the whole face of affairs. James, in a fit of fondness, determined to make his mistress Countess of Dorchester in her own right. Catharine saw all the peril of such a step, and declined the invidious honour. Her lover was obstinate, and himself forced the patent into her hands. She at last accepted it on one condition, which shows her confidence in her own power and in his weakness. She made him give her a solemn promise, not that he would never quit her, but that, if

he did so, he would himself announce his resolution to her, and grant her one parting interview.

As soon as the news of her elevation got abroad, the whole palace was in an uproar. The warm blood of Italy boiled in the veins of the Queen. Proud of her youth and of her charms, of her high rank and of her stainless chastity, she could not without agonies of grief and rage see herself deserted and insulted for such a rival. Rochester, perhaps remembering how patiently, after a short struggle, Catharine of Braganza had consented to treat the mistresses of Charles with politeness, had expected that, after a little complaining and pouting, Mary of Modena would be equally submissive. It was not so. She did not even attempt to conceal from the eyes of the world the violence of her emotions. Day after day the courtiers who came to see her dine observed that the dishes were removed untasted from the table. She suffered the tears to stream down her cheeks unconcealed in the presence of the whole circle of ministers and envoys. To the King she spoke with wild vehemence. "Let me go," she cried. "You have made your woman a Countess: make her a Queen. Put my crown on her head. Only let me hide myself in some convent, where I may never see her more." Then, more soberly, she asked him how he reconciled his conduct to his religious professions. "You are ready," she said, "to put your kingdom to hazard for the sake of your soul; and yet you are throwing away your soul for the sake of that creature." Father Petre, on bended knees, seconded these remonstrances. It was his duty to do so; and his duty was not the less strenuously performed because it coincided with his interest. The King went on for a time sinning and repenting. In his hours of remorse his penances were severe. Mary treasured up to the end of her life, and at her death bequeathed to the convent of Chaillot, the scourge with which he had vigorously avenged her wrongs upon

CHAP.

VI.

1686.

CHAP.

VI.

1686.

his own shoulders. Nothing but Catharine's absence
could put an end to this struggle between an ignoble
love and an ignoble superstition. James wrote, im-
ploring and commanding her to depart. He owned that
he had promised to bid her farewell in person. "But I
know too well," he added, "the
power which you have
over me. I have not strength of mind enough to keep
my resolution if I see you." He offered her a yacht to
convey her with all dignity and comfort to Flanders,
and threatened that if she did not go quietly she should
be sent away by force. She at one time worked on his
feelings by pretending to be ill. Then she assumed the
airs of a martyr, and impudently proclaimed herself a
sufferer for the Protestant religion. Then again she
adopted the style of John Hampden. She defied the
King to remove her. She would try the right with
him. While the Great Charter and the Habeas Corpus
Act were the law of the land, she would live where she
pleased. "And Flanders," she cried; "never!
have learned one thing from my friend the Duchess of
Mazarin; and that is never to trust myself in a country
where there are convents." At length she selected
Ireland as the place of her exile, probably because the
brother of her patron Rochester was viceroy there.
After many delays she departed, leaving the victory to
the Queen.

I

The history of this extraordinary intrigue would be imperfect, if it were not added that there is still extant a religious meditation, written by the Treasurer, with his own hand, on the very same day on which the intel

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VI. 1686.

ligence of his attempt to govern his master by means CHAP. of a concubine was despatched by Bonrepaux to Versailles. No composition of Ken or Leighton breathes a spirit of more fervent and exalted piety than this effusion. Hypocrisy cannot be suspected: for the paper was evidently meant only for the writer's own eye, and was not published till he had been more than a century in his grave. So much is history stranger than fiction; and so true is it that nature has caprices which art dares not imitate. A dramatist would scarcely venture to bring on the stage a grave prince, in the decline of life, ready to sacrifice his crown in order to serve the interests of his religion, indefatigable in making proselytes, and yet deserting and insulting a wife who had youth and beauty for the sake of a profligate paramour who had neither. Still less, if possible,

would a dramatist venture to introduce a statesman stooping to the wicked and shameful part of a procurer, and calling in his wife to aid him in that dishonourable office, yet, in his moments of leisure, retiring to his closet, and there secretly pouring out his soul to his God in penitent tears and devout ejaculations.*

influence.

The Treasurer soon found that, in using scandalous Decline of means for the purpose of obtaining a laudable end, he Rochester's had committed, not only a crime, but a folly. The Queen was now his enemy. She affected, indeed, to listen with civility while the Hydes excused their recent

Jan. 25.
Feb. 4.

The meditation bears date 168%. Bonrepaux, in his despatch of the same day, says, "L'intrigue avoit été conduite par Milord Rochester et sa femme.

Leur projet étoit de faire gouverner le Roy d'Angleterre par la nouvelle comtesse. Ils s'étoient assurés d'elle." While Bonrepaux was writing thus, Rochester was writing as follows: "Oh God, teach me so to number my days that I apply my heart unto wisdom. Teach

may

me to number the days that I have
spent in vanity and idleness, and
teach me to number those that I
have spent in sin and wickedness.
Oh God, teach me to number the
days of my affliction too, and to give
thanks for all that is come to me
from thy hand. Teach me likewise
to number the days of this world's
greatness, of which I have so great
a share; and teach me to look upon
them as vanity and vexation of
spirit."

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