Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 179
... Barabas in a process which deconstructs generic notions of absolute difference . Moving among the men with prices on their backs , Barabas quizzes the merchant as to their relative value , asking what makes one man more expensive than ...
... Barabas in a process which deconstructs generic notions of absolute difference . Moving among the men with prices on their backs , Barabas quizzes the merchant as to their relative value , asking what makes one man more expensive than ...
Side 192
... Barabas vitiates the city's isolation , inviting the enemy within . Literally passing through the boundaries of the island , Barabas demonstrates the inability of genre to remain closed . What is more , by infiltrating the city in this ...
... Barabas vitiates the city's isolation , inviting the enemy within . Literally passing through the boundaries of the island , Barabas demonstrates the inability of genre to remain closed . What is more , by infiltrating the city in this ...
Side 197
... Barabas's list of requirements . Calling the work ' art indeed ' ( V.v.5 ) , Barabas identifies his fellow helpers as artisans ; they are the co - creators of his elaborate dramatic production . However , brought into use prematurely ...
... Barabas's list of requirements . Calling the work ' art indeed ' ( V.v.5 ) , Barabas identifies his fellow helpers as artisans ; they are the co - creators of his elaborate dramatic production . However , brought into use prematurely ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing