Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 108
... Dido , Queene of Carthage is informed by the same impulse which gives shape to the Tamburlaine dramas - repetition . Like the Tamburlaine sequel , Dido , Queene of Carthage is based on an existing work . Consequently , both Tamburlaine ...
... Dido , Queene of Carthage is informed by the same impulse which gives shape to the Tamburlaine dramas - repetition . Like the Tamburlaine sequel , Dido , Queene of Carthage is based on an existing work . Consequently , both Tamburlaine ...
Side 112
... Dido , Queene of Carthage , Proser simply constructs an alternative view of Marlowe's canon which reveals more about his own aesthetic assumptions than the dramatist's actual style . Proser thereby draws a portrait of Marlowe as a ...
... Dido , Queene of Carthage , Proser simply constructs an alternative view of Marlowe's canon which reveals more about his own aesthetic assumptions than the dramatist's actual style . Proser thereby draws a portrait of Marlowe as a ...
Side 129
... Dido holding Ascanius and then by Dido holding Cupid . Importantly deviating from Virgil's account of the legend in the Aeneid , Dido holds Ascanius before Venus substitutes Cupid for him . During Aeneas's Troy speech Dido is shown ...
... Dido holding Ascanius and then by Dido holding Cupid . Importantly deviating from Virgil's account of the legend in the Aeneid , Dido holds Ascanius before Venus substitutes Cupid for him . During Aeneas's Troy speech Dido is shown ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing