Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 26
... Doctor Faustus , but also to their critical and editorial contexts . For the state in which the plays exist explicitly complicates the belief that writing can be unproblematically repeated , reproduced and remembered . It is to the ...
... Doctor Faustus , but also to their critical and editorial contexts . For the state in which the plays exist explicitly complicates the belief that writing can be unproblematically repeated , reproduced and remembered . It is to the ...
Side 27
... Doctor Faustus , Marcus's article rehearses scholarly desires in an effort to redirect the critical gaze to the different ideological contexts which produced the plays . She thereby makes a ... Doctor Faustus was REWRITING DR FAUSTUS 27.
... Doctor Faustus , Marcus's article rehearses scholarly desires in an effort to redirect the critical gaze to the different ideological contexts which produced the plays . She thereby makes a ... Doctor Faustus was REWRITING DR FAUSTUS 27.
Side 31
... Doctor Faustus , which discovers the protagonist reading and interpreting aloud . Edward II begins with a similar moment of reading as Gaveston recites and comments upon a letter from his lover , the new king . Gaveston's exegetical ...
... Doctor Faustus , which discovers the protagonist reading and interpreting aloud . Edward II begins with a similar moment of reading as Gaveston recites and comments upon a letter from his lover , the new king . Gaveston's exegetical ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing