Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
Inni boken
Resultat 1-3 av 85
Side 12
... Marlowe's homosexuality was effectively limiting our understanding of his work ' , Kuriyama's project takes for granted Marlowe's sexual identity . Rather than reading Marlowe's sexuality from his plays , Kuriyama explicitly reads ...
... Marlowe's homosexuality was effectively limiting our understanding of his work ' , Kuriyama's project takes for granted Marlowe's sexual identity . Rather than reading Marlowe's sexuality from his plays , Kuriyama explicitly reads ...
Side 134
... Marlowe's drama ; he refuses to answer Dido and he refuses to be seen by her . Successfully leaving Marlowe's text , Aeneas fulfils his initial desire in the play to be unseen . A reversal of the lovers ' first meeting when Aeneas ...
... Marlowe's drama ; he refuses to answer Dido and he refuses to be seen by her . Successfully leaving Marlowe's text , Aeneas fulfils his initial desire in the play to be unseen . A reversal of the lovers ' first meeting when Aeneas ...
Side 189
... Marlowe's own lyric . This is , however , where the similarity between the two pieces of verse ceases . Transforming Marlowe's pastoral love - entreaty into an erotic epyllion , Ithamore disregards the delights of country living in ...
... Marlowe's own lyric . This is , however , where the similarity between the two pieces of verse ceases . Transforming Marlowe's pastoral love - entreaty into an erotic epyllion , Ithamore disregards the delights of country living in ...
Innhold
Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
Opphavsrett | |
6 andre deler vises ikke
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing