Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 34
... apparently unrelated modes and eras of thought relevant to contemporary contexts , the scholar was involved in a system of exchange founded upon the use - value of reading . Emphasis was placed not upon the act of reading in and of ...
... apparently unrelated modes and eras of thought relevant to contemporary contexts , the scholar was involved in a system of exchange founded upon the use - value of reading . Emphasis was placed not upon the act of reading in and of ...
Side 85
... apparently produced without a uniform dramatic approach . Part one was performed fourteen times between 18 August 1594 and 12 November 1595 , while part two was staged on just seven occasions between 19 December 1594 and 13 November ...
... apparently produced without a uniform dramatic approach . Part one was performed fourteen times between 18 August 1594 and 12 November 1595 , while part two was staged on just seven occasions between 19 December 1594 and 13 November ...
Side 163
... apparently effortlessly . It is this apparent effortlessness which makes Navarre's claim to the throne seem natural and legitimate . Like the canon , royalty in The Massacre at Paris relies on the naturalization of processes which are ...
... apparently effortlessly . It is this apparent effortlessness which makes Navarre's claim to the throne seem natural and legitimate . Like the canon , royalty in The Massacre at Paris relies on the naturalization of processes which are ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing