Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 6
... fact ; both these notions are evidenced by language which does not offer uncomplicated access to a singular , unitary meaning . The fact that all writing is open to multiple interpretations simply underlines this point . I have ...
... fact ; both these notions are evidenced by language which does not offer uncomplicated access to a singular , unitary meaning . The fact that all writing is open to multiple interpretations simply underlines this point . I have ...
Side 8
... fact being stranger than fiction . However , supported by no historical evidence , Hilton's twist in the tale reveals more about criticism's desperation than Marlowe's . Such fanciful stories disclose scholarship's willingness to ...
... fact being stranger than fiction . However , supported by no historical evidence , Hilton's twist in the tale reveals more about criticism's desperation than Marlowe's . Such fanciful stories disclose scholarship's willingness to ...
Side 56
... fact that , however personally unsuitable , a king is inescapably a king.'16 In a similar critical volte- face , Michael Hattaway attempts to confound the categorization of the play as tragedy , claiming : ' It is arguable in fact that ...
... fact that , however personally unsuitable , a king is inescapably a king.'16 In a similar critical volte- face , Michael Hattaway attempts to confound the categorization of the play as tragedy , claiming : ' It is arguable in fact that ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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