Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 39
... Language Apparently disregarding the reading strategy of the initial scene which opened writing to interpretation , Faustus summons the Devil by trying to make language immediately and unproblematically significant . He writes the name ...
... Language Apparently disregarding the reading strategy of the initial scene which opened writing to interpretation , Faustus summons the Devil by trying to make language immediately and unproblematically significant . He writes the name ...
Side 90
... language tangible and consequential by making it what it is not , by rendering language unlinguistic . The unnaturalness of the working words employed in part one must ultimately beg the question : if language is not literal , physical ...
... language tangible and consequential by making it what it is not , by rendering language unlinguistic . The unnaturalness of the working words employed in part one must ultimately beg the question : if language is not literal , physical ...
Side 99
... language'.21 This means that signs can never coincide with the things they describe and , consequently , meaning is always detoured and delayed through language . In other words , a sign cannot contain meaning , it can only gesture ...
... language'.21 This means that signs can never coincide with the things they describe and , consequently , meaning is always detoured and delayed through language . In other words , a sign cannot contain meaning , it can only gesture ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing