Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 55
... maintains that Edward II represents ' for the first time in Elizabethan drama , a tragedy of character'.13 Elaborating Ribner's argument , critics such as Harry Levin highlight Marlowe's selection of source material for Edward II which ...
... maintains that Edward II represents ' for the first time in Elizabethan drama , a tragedy of character'.13 Elaborating Ribner's argument , critics such as Harry Levin highlight Marlowe's selection of source material for Edward II which ...
Side 84
... maintains that the first part is a ' self - subsisting play ' whose meaning ' must be sought within its own borders , not imported from the second part ' . Thus the parts of Tamburlaine present a design dilemma ; scholarship must decide ...
... maintains that the first part is a ' self - subsisting play ' whose meaning ' must be sought within its own borders , not imported from the second part ' . Thus the parts of Tamburlaine present a design dilemma ; scholarship must decide ...
Side 100
... maintains that Marlowe adopted a narrative precedent from Foxe's 1583 edition of his Book of Martyrs , in which Sigismund's treachery is cited out of its proper order.25 According to Foxe's retelling of history , the Council of ...
... maintains that Marlowe adopted a narrative precedent from Foxe's 1583 edition of his Book of Martyrs , in which Sigismund's treachery is cited out of its proper order.25 According to Foxe's retelling of history , the Council of ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing