Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 7
... murder and an unsolved murder does not really age . It continues to require our attention , our questions , our unease . We owe the dead man something , and these are what we have to offer . We may never find the truth , but we can dig ...
... murder and an unsolved murder does not really age . It continues to require our attention , our questions , our unease . We owe the dead man something , and these are what we have to offer . We may never find the truth , but we can dig ...
Side 73
... murder , Mortimer devises a letter which he believes to be not only untraceable but also so equivocal it cannot be produced as evidence against him . Inscribing his desire for Edward's murder in an unsigned and unpunctuated Latin phrase ...
... murder , Mortimer devises a letter which he believes to be not only untraceable but also so equivocal it cannot be produced as evidence against him . Inscribing his desire for Edward's murder in an unsigned and unpunctuated Latin phrase ...
Side 74
... murder as an act of inscription which turns the king's body into an unproblematic text , Bredbeck importantly fails to recognize two aspects of the crime . Firstly , the nature of Edward's murder is not a dramatic invention ; the play's ...
... murder as an act of inscription which turns the king's body into an unproblematic text , Bredbeck importantly fails to recognize two aspects of the crime . Firstly , the nature of Edward's murder is not a dramatic invention ; the play's ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing