Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 93
... original cannot be simply repeated to form an exact copy , just as a word cannot be simply repeated to transform it into the thing it describes ; original and word can only be recited to produce something different . It is this ...
... original cannot be simply repeated to form an exact copy , just as a word cannot be simply repeated to transform it into the thing it describes ; original and word can only be recited to produce something different . It is this ...
Side 94
... original play , part two stages not only the inevitability of difference , but also the necessity of repetition . Questioning the possibility of a truly original work , a work without any precursors or successors , the sequel bears ...
... original play , part two stages not only the inevitability of difference , but also the necessity of repetition . Questioning the possibility of a truly original work , a work without any precursors or successors , the sequel bears ...
Side 127
... original author is , therefore , an impossibility . Kronick's statement seems to be appropriately indebted to Edward Young's Conjectures on Original Composition ( 1759 ) which is widely considered to be the first treatise on originality ...
... original author is , therefore , an impossibility . Kronick's statement seems to be appropriately indebted to Edward Young's Conjectures on Original Composition ( 1759 ) which is widely considered to be the first treatise on originality ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing