Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 45
... possibility of an omniscient book , Faustus foregrounds the textual anxiety with which the plays began : the anxiety that language and therefore writing cannot make knowledge unproblematically communicable . " The bargain Faustus ...
... possibility of an omniscient book , Faustus foregrounds the textual anxiety with which the plays began : the anxiety that language and therefore writing cannot make knowledge unproblematically communicable . " The bargain Faustus ...
Side 47
... possibility of a ' Perpetual day ' ( A : V.ii.71 / B : V.ii.144 ) to thwart being ' damned perpetually ' ( A : V.ii.67 / B : V.ii.140 ) . Faustus's hope of delay is , however , futile . He cannot stop the onset of time . Indeed , the ...
... possibility of a ' Perpetual day ' ( A : V.ii.71 / B : V.ii.144 ) to thwart being ' damned perpetually ' ( A : V.ii.67 / B : V.ii.140 ) . Faustus's hope of delay is , however , futile . He cannot stop the onset of time . Indeed , the ...
Side 186
... Possibility of the Paradigm The very idea of genre rests on the possibility of a pristine , transcendent paradigm . An originary model , the paradigm forms the template from which all subsequent theories of generic classification ...
... Possibility of the Paradigm The very idea of genre rests on the possibility of a pristine , transcendent paradigm . An originary model , the paradigm forms the template from which all subsequent theories of generic classification ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing