Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 60
... question : does the will of the monarch outlive his death in writing ? The resolution of this question , which was of such importance to the Tudor monarchs , is expressed through Edward II's textual cabaret of competing letters which ...
... question : does the will of the monarch outlive his death in writing ? The resolution of this question , which was of such importance to the Tudor monarchs , is expressed through Edward II's textual cabaret of competing letters which ...
Side 90
... question : if language is not literal , physical and direct then how does Tamburlaine make it so ? The answer to this question seems to lie in the colour - coded tents the play describes and presents . The tents are initially introduced ...
... question : if language is not literal , physical and direct then how does Tamburlaine make it so ? The answer to this question seems to lie in the colour - coded tents the play describes and presents . The tents are initially introduced ...
Side 175
... question were recovered from oblivion , published on the new- fangled presses , edited and quarreled over – and endlessly imitated . Why such models , and whence came their peculiar power ? To be able to answer that question is to ...
... question were recovered from oblivion , published on the new- fangled presses , edited and quarreled over – and endlessly imitated . Why such models , and whence came their peculiar power ? To be able to answer that question is to ...
Innhold
Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing