Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 98
... refuses to comply with the details of the earlier episode . In the first siege depicted in part one , Damascus yields to Tamburlaine on the third day , when his tents are black to indicate his determination to ' razeth all his foes with ...
... refuses to comply with the details of the earlier episode . In the first siege depicted in part one , Damascus yields to Tamburlaine on the third day , when his tents are black to indicate his determination to ' razeth all his foes with ...
Side 104
... refuses to take up arms . Indeed , from his first appearance in the play , Calyphas obstructs and mocks his father's attempts to make him like the mighty Tamburlaine . Initially protected by his mother , Calyphas tells Tamburlaine that ...
... refuses to take up arms . Indeed , from his first appearance in the play , Calyphas obstructs and mocks his father's attempts to make him like the mighty Tamburlaine . Initially protected by his mother , Calyphas tells Tamburlaine that ...
Side 134
... refuses to answer Dido and he refuses to be seen by her . Successfully leaving Marlowe's text , Aeneas fulfils his initial desire in the play to be unseen . A reversal of the lovers ' first meeting when Aeneas wrongly believed Dido ...
... refuses to answer Dido and he refuses to be seen by her . Successfully leaving Marlowe's text , Aeneas fulfils his initial desire in the play to be unseen . A reversal of the lovers ' first meeting when Aeneas wrongly believed Dido ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing