Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 sider Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Side 17
... theories of language . The combination of these circumstances renders the work by and about Marlowe particularly ripe for a method of investigation which incorporates an analysis of traditional scholarship with an understanding of ...
... theories of language . The combination of these circumstances renders the work by and about Marlowe particularly ripe for a method of investigation which incorporates an analysis of traditional scholarship with an understanding of ...
Side 170
... theories are often marked by a quest for definition and authority which constantly encounters loss and absence . The ... theories to compensate for The Jew of Malta's unrecognizable generic form . These theories seem to fall roughly into ...
... theories are often marked by a quest for definition and authority which constantly encounters loss and absence . The ... theories to compensate for The Jew of Malta's unrecognizable generic form . These theories seem to fall roughly into ...
Side 186
... theories obviously dispenses with this notion of para - digmatic purity . This dismissal of originary models has far - reaching consequences for those concepts of originality and imitation already discussed in the chapters on the two ...
... theories obviously dispenses with this notion of para - digmatic purity . This dismissal of originary models has far - reaching consequences for those concepts of originality and imitation already discussed in the chapters on the two ...
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Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing