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Regalia, badges of royalty.

R.I.P., requiescat in pace, may he rest in peace.

Sc. or scil., scilicet, that is to say.
Seriatim, in order.

Sine quâ non, indispensable.

Sidecure, sine curâ, emolument without work.

S.T.P., Sanctæ Theologiæ Professor, Doctor of Divinity. Status in quo, as you were, used of the condition in which both parties were before a war.

Sub silentio, in silence.

Vade mecum, go with me; used of a pocket companion.
Versus, v., against.

Vice versa, the terms being changed.

Vivâ voce, by word of mouth.

Viz., videlicet, namely.

USE OF FRENCH WORDS IN ENGLISH.

Care should be taken to use French words in English only where our own language has no equivalent expression. The practice of using French terms for plain English words is a sign of vulgarity, that is chiefly found in inferior newspapers. It is an old form of pretence to style. A writer in 1385 speaks of "uplondish men," who "wol liken hem self to gentil men, and fondeth with grete bisynesse for to speke Frensche, for to be the more y told."

CAUTIONS IN PRONUNCIATION.

1. Reverence the letter h. Though our forefathers seem to have been very careless about it, no educated ear can now tolerate the omission of this letter. It is called the aspirate, because you have to fetch up your breath from the chest to make

its sound. It is to be always sounded, even in humble and herb and hospital and humour, except in heir, heiress (but always in heritage, inherit, etc.), honour, honesty, and their compounds, and in hour.

2. Take care of the letter r. It is very vulgar to change it at the end of the words into ah, to call your father and mother, fathah and mothah. It is equally bad to put it in between two words, when the first ends and the second begins with a vowel sound, as when people say the Lor of Moses for the Law of Moses.

3. Avoid turning the letter a or o into a dipthong, as coffee into cauffee, loss into lauss, soft into sauft, want into waunt.

4. Always sound g at the end of words, as shilling, not shillin; but be equally careful not to run it into the next word as smokin gashes for smoking ashes. The strong sound of g after n at the end of words must be checked; king is neither kin nor king-ue, like tongue or fatigue.

5. Avoid slurring one word into another, when the first ends with a consonant, and the second begins with a vowel. This may be a rule in French, but in English there is only one exception that is tolerable, at home.

6. Remember that oo before k has a shorter sound than oo before, almost like u in put. Thus book, hook, look, are sounded more sharply than pool, stool, school. Many words that have this oo before d and t also have this shorter sound; as foot, stood, hood, as against root, boot, rood.

7. Care is necessary with u especially among North country folk. The words are few where it is sounded like oo as in put, butcher, sugar, &c., but numerous where it is sounded as in but, is much, judge, run, lump, etc.

N

8. In speaking be careful not to talk in your throat, as if you were gargling; and always open your teeth. Take plenty of breath; form your words before you utter them, if you would cure yourself of indistinct speech; and set your lips to guard the words from tripping each other up in a too hasty flight, and to secure their making their exit in full form and sound.

9. Give the consonants a clear ringing utterance; otherwise your conversation at a distance falls into a bow-wow style where only vowels are heard, and resembles the talk of a Polynesian savage rather than an articulate speakin Englishman.

10. Every Englishman should take pains to speak plainly and simply, both in sound and in sense, because in a free country, free speech is the bond of freedom, and there is no man who may not be called on in his turn to speak to others for his God, his Queen, or his fellow-citizens.

DEAN ALFORD'S GOOD ADVICE.

"All are not gentlemen by birth; but all may be gentlemen in openness, in modesty of language, in attracting no man's attention by singularities and giving no offence in forwardness; for it is this, in matter of speech and style, which is the sure mark of good taste and good breeding."

DULCE DOMUM.

Concinamus, O Sodales!
Eja! quid silemus?
Nobile canticum,
Dulce melos, domum!
Dulce domum resonemus.

Come my comrades, sing in concert
Rouse ye, wherefore silent?
Our noble ballad, oh!

That jolly strain of home!
Home sweet home, home sweet
[home upraise.

Domum, domum, dulce domum!
Domum, domum, dulce domum!
Dulce, dulce, dulce domum
Dulce domum resonemus.

Appropinquat ecce! felix
Hora gaudiorum:
Post grave tædium
Advenit omnium
Meta petita laborum.

There approaches lo! the happy
Hour of merry gladness:

After dull weariness

Towards us now comes of all

Trouble the goal we have long

[sought.

Domum, domum, dulce domum.

Musa libros mitte fessa;

Leave O weary Muse! thy grammar;
Banish impositions;

Mitte pensa dura;
Mitte negotium;
Jam datur otium,

Me mea mittito cura!

Banish what hinders ease;

Play time is granted us;

Set me free, Boredom, I charge thee.

Domum, domum, dulce domum!

[blocks in formation]

Eja! nunc eamus.
Limen amabile,
Matris et oscula

Suaviter et repetamus.

T'wards our home dearly lov'd,
Mother's fond kisses too
Let us with jollity journey.

Domum, domum, dulce domum.

Concinamus ad Penates;

Vox et audiatur!

Phosphore! quid jubar,
Segnius emicans,

Gaudia nostra moratur?

Sing in concert to our firesides;
Loudly heard our song be.
Dawn! oh! why doth thy ray,
Too slowly beaming forth,
Our fun and merriment hinder?

Domum, domum, dulce domum.

*The Winchester Domum is a summer song. To make it applicable to Christmas holidays as well, we offer a winter adaptation of

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