Modern Painters: pt. 3. Of the imaginative and theoretic faculties. 4th edSmith, Elder, and Company, 1848 |
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Side xiii
... effects of the Mental Virtues on the form .. 109 § 9. Is a sign of God's kind purpose towards the race ... 110 § 10. Consequent Separation and difference of Ideals ... 111 § 11. The effects of the Adamite curse are to be distinguished ...
... effects of the Mental Virtues on the form .. 109 § 9. Is a sign of God's kind purpose towards the race ... 110 § 10. Consequent Separation and difference of Ideals ... 111 § 11. The effects of the Adamite curse are to be distinguished ...
Side 6
... effect to the loose and blistered stucco on which the frescoes are painted above , I leave the reader to imagine ; inserted the tablet , and then plastered over the marks of the insertion , destroying a portion of the border of one of ...
... effect to the loose and blistered stucco on which the frescoes are painted above , I leave the reader to imagine ; inserted the tablet , and then plastered over the marks of the insertion , destroying a portion of the border of one of ...
Side 11
... effects of bodies ; in which sense only , if we would arrive at any accurate conclusions on this difficult subject , it should always be used . But I wholly deny that the impressions of beauty are in any way sensual ; -they are neither ...
... effects of bodies ; in which sense only , if we would arrive at any accurate conclusions on this difficult subject , it should always be used . But I wholly deny that the impressions of beauty are in any way sensual ; -they are neither ...
Side 30
... effect is but the deadening and approximating the sensations of beauty and ugliness . It never mixes nor crosses , nor in any way alters them ; it has not the slightest connection with , nor power over , their nature . By tasting two ...
... effect is but the deadening and approximating the sensations of beauty and ugliness . It never mixes nor crosses , nor in any way alters them ; it has not the slightest connection with , nor power over , their nature . By tasting two ...
Side 32
... effect upon it whatsoever . And there is prob- ably no one opinion which is formed by any of us , in matters of taste , which is not in some degree influenced by unconscious association of this kind . In many who have no definite rules ...
... effect upon it whatsoever . And there is prob- ably no one opinion which is formed by any of us , in matters of taste , which is not in some degree influenced by unconscious association of this kind . In many who have no definite rules ...
Innhold
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Modern Painters: pt.3. Of the imaginative and theoretic faculties John Ruskin Uten tilgangsbegrensning - 1858 |
Vanlige uttrykk og setninger
Adamite agreeable angel Angelico animal artist association bodily body Brera Gallery Caliban Camillo Procaccini Chap character Christ clouds colour conceive conception Correggio creature degree delight dependent desire dignity divine evident evil existence expression fancy farther fear feeling Fra Angelico Fra Bartolomeo function Gentile Bellini Giorgione Giotto glory hand heart heaven ideal form illustrate imperfection impressions instance intellect kind landscape Laocoon less light look lower Masaccio matter megatherium Michael Angelo mind modes moral nature necessary ness never noble object observed operation outward painful painted painter passion perception perfect Perugino picture Pinturicchio Pitti palace plant pleasure portraiture present proportion pure purity reader received repose respect rightly sense sensual signs Soldanella Alpina soul species spirit sublime suppose sympathy taste theoretic faculty things thought Tintoret tion Titian tree trunk truth typical beauty Unity Venice visible zinc
Populære avsnitt
Side 129 - And he took up his parable and said, Balaam the son of Beor hath said, and the man whose eyes are open hath said...
Side 86 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Side 34 - The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Side 124 - This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart No voice; but oh!
Side 136 - And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Side 136 - So spake the grisly terror, and in shape, So speaking: and so threatening, grew tenfold More dreadful and deform : on the other side, Incensed with indignation, Satan stood Unterrified, and like a comet burned, That fires the length of Ophiuchus huge In the arctic sky, and from his horrid hair Shakes pestilence and war.
Side 37 - Not for these I raise The song of thanks and praise ; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a Creature Moving about in worlds not realised...
Side 166 - ... of its supporting column. This, I think, sufficiently explains the typical character of the whole. The ruined house is the Jewish dispensation ; that obscurely arising in the dawning of the sky is the Christian ; but the corner-stone of the old building remains, though the builder's tools lie idle beside it, and the stone which the builders refused is become the Headstone of the Corner.
Side 4 - He hath made every thing beautiful in his time : also he hath set the world in their heart; so that no man can find out the work that God maketh from the beginning to the end.
Side 124 - That light proceeds, which kindleth lovers' fire, Shall never be extinguished nor decay; But, when the vital spirits do expire, Unto her native planet shall retire; For it is heavenly born and cannot die, Being a parcel of the purest sky.