Modern Painters: pt. 3. Of the imaginative and theoretic faculties. 4th edSmith, Elder, and Company, 1848 |
Inni boken
Resultat 1-5 av 35
Side xiii
... principles deducible .... 115 § 18. Expressions chiefly destructive of Ideal Character . 1st . Pride .. 115 § 19. Portraiture ancient and modern ..... 116 § 20. Secondly , Sensuality ......... 117 § 21. How connected with impurity of ...
... principles deducible .... 115 § 18. Expressions chiefly destructive of Ideal Character . 1st . Pride .. 115 § 19. Portraiture ancient and modern ..... 116 § 20. Secondly , Sensuality ......... 117 § 21. How connected with impurity of ...
Side 3
... principles of party or person . It is to summon the moral energies of the nation to a forgotten duty , to display the use , force , and function of a great body of neglected sympathies and desires , and to elevate to its healthy and ...
... principles of party or person . It is to summon the moral energies of the nation to a forgotten duty , to display the use , force , and function of a great body of neglected sympathies and desires , and to elevate to its healthy and ...
Side 20
... trial and experience is to arrive at principles of preference in some sort common to all , and which are a part of our nature . I select the sense of taste for an instance , 20 [ PART III . OF ACCURACY AND INACCURACY IN.
... trial and experience is to arrive at principles of preference in some sort common to all , and which are a part of our nature . I select the sense of taste for an instance , 20 [ PART III . OF ACCURACY AND INACCURACY IN.
Side 33
... principles ; for by these such difference is secured in the feelings as shall make fellowship itself more delightful , by its inter - communicate cha- racter , and such variety of feeling also in each of us separately as shall VOL . II ...
... principles ; for by these such difference is secured in the feelings as shall make fellowship itself more delightful , by its inter - communicate cha- racter , and such variety of feeling also in each of us separately as shall VOL . II ...
Side 40
... principle . The absolute necesssity , for such I indeed consider it , is of no more . of its necessity than such a luminous point as may give to the feelings a species of escape from all the finite objects about them . There is a ...
... principle . The absolute necesssity , for such I indeed consider it , is of no more . of its necessity than such a luminous point as may give to the feelings a species of escape from all the finite objects about them . There is a ...
Innhold
1 | |
2 | |
3 | |
4 | |
5 | |
8 | |
9 | |
10 | |
143 | |
144 | |
145 | |
146 | |
147 | |
148 | |
149 | |
150 | |
11 | |
12 | |
13 | |
14 | |
15 | |
16 | |
18 | |
19 | |
28 | |
39 | |
51 | |
61 | |
68 | |
76 | |
84 | |
90 | |
92 | |
101 | |
102 | |
103 | |
105 | |
106 | |
107 | |
108 | |
109 | |
110 | |
111 | |
112 | |
113 | |
114 | |
115 | |
116 | |
117 | |
118 | |
119 | |
120 | |
122 | |
123 | |
125 | |
126 | |
127 | |
128 | |
129 | |
130 | |
131 | |
132 | |
133 | |
134 | |
135 | |
136 | |
137 | |
138 | |
139 | |
140 | |
141 | |
142 | |
151 | |
152 | |
154 | |
155 | |
156 | |
157 | |
159 | |
160 | |
161 | |
162 | |
164 | |
165 | |
166 | |
167 | |
168 | |
170 | |
171 | |
172 | |
173 | |
174 | |
175 | |
177 | |
178 | |
179 | |
180 | |
182 | |
183 | |
184 | |
185 | |
187 | |
190 | |
191 | |
192 | |
193 | |
194 | |
195 | |
196 | |
197 | |
198 | |
199 | |
201 | |
202 | |
203 | |
204 | |
205 | |
206 | |
207 | |
208 | |
209 | |
210 | |
211 | |
212 | |
215 | |
3 | |
10 | |
Andre utgaver - Vis alle
Modern Painters: pt.3. Of the imaginative and theoretic faculties John Ruskin Uten tilgangsbegrensning - 1858 |
Vanlige uttrykk og setninger
Adamite agreeable angel Angelico animal artist association bodily body Brera Gallery Caliban Camillo Procaccini Chap character Christ clouds colour conceive conception Correggio creature degree delight dependent desire dignity divine evident evil existence expression fancy farther fear feeling Fra Angelico Fra Bartolomeo function Gentile Bellini Giorgione Giotto glory hand heart heaven ideal form illustrate imperfection impressions instance intellect kind landscape Laocoon less light look lower Masaccio matter megatherium Michael Angelo mind modes moral nature necessary ness never noble object observed operation outward painful painted painter passion perception perfect Perugino picture Pinturicchio Pitti palace plant pleasure portraiture present proportion pure purity reader received repose respect rightly sense sensual signs Soldanella Alpina soul species spirit sublime suppose sympathy taste theoretic faculty things thought Tintoret tion Titian tree trunk truth typical beauty Unity Venice visible zinc
Populære avsnitt
Side 129 - And he took up his parable and said, Balaam the son of Beor hath said, and the man whose eyes are open hath said...
Side 86 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Side 34 - The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Side 124 - This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart No voice; but oh!
Side 136 - And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Side 136 - So spake the grisly terror, and in shape, So speaking: and so threatening, grew tenfold More dreadful and deform : on the other side, Incensed with indignation, Satan stood Unterrified, and like a comet burned, That fires the length of Ophiuchus huge In the arctic sky, and from his horrid hair Shakes pestilence and war.
Side 37 - Not for these I raise The song of thanks and praise ; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a Creature Moving about in worlds not realised...
Side 166 - ... of its supporting column. This, I think, sufficiently explains the typical character of the whole. The ruined house is the Jewish dispensation ; that obscurely arising in the dawning of the sky is the Christian ; but the corner-stone of the old building remains, though the builder's tools lie idle beside it, and the stone which the builders refused is become the Headstone of the Corner.
Side 4 - He hath made every thing beautiful in his time : also he hath set the world in their heart; so that no man can find out the work that God maketh from the beginning to the end.
Side 124 - That light proceeds, which kindleth lovers' fire, Shall never be extinguished nor decay; But, when the vital spirits do expire, Unto her native planet shall retire; For it is heavenly born and cannot die, Being a parcel of the purest sky.