Modern Painters: pt. 3. Of the imaginative and theoretic faculties. 4th edSmith, Elder, and Company, 1848 |
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Side 3
... tion towards others , so that sometimes in our very pointing of the way , we had rather that the intricacy of it should be admired than unfolded ; whence a natural distrust of such recommendation may well have place in the minds of ...
... tion towards others , so that sometimes in our very pointing of the way , we had rather that the intricacy of it should be admired than unfolded ; whence a natural distrust of such recommendation may well have place in the minds of ...
Side 7
... tion , that at Padua , the rain beats through the west window of the Arena chapel , and runs down over the frescoes . That at Venice , in September 1846 , I saw three buckets set in the scuola di San Rocco to catch the rain which came ...
... tion , that at Padua , the rain beats through the west window of the Arena chapel , and runs down over the frescoes . That at Venice , in September 1846 , I saw three buckets set in the scuola di San Rocco to catch the rain which came ...
Side 11
... tion of the term I PROCEED therefore first , to examine the nature of what I have called § 1. Explana- the Theoretic faculty , and to justify my substitution of the term " Theo- " Theoretic . " retic " for " Aesthetic , " which is the ...
... tion of the term I PROCEED therefore first , to examine the nature of what I have called § 1. Explana- the Theoretic faculty , and to justify my substitution of the term " Theo- " Theoretic . " retic " for " Aesthetic , " which is the ...
Side 16
... tion . coming out of the rock , than if all were 16 [ PART III . OF THE THEORETIC FACULTY The term "Beauty" how limitable in the outset Divided into Typical How degraded by heartless reception How exalted by affection.
... tion . coming out of the rock , than if all were 16 [ PART III . OF THE THEORETIC FACULTY The term "Beauty" how limitable in the outset Divided into Typical How degraded by heartless reception How exalted by affection.
Side 22
... tion and discipline of the attention in the early stages of judgment . The first , that , for many beneficent purposes , the nature of man has been made reconcileable by custom to many things naturally painful to it , and even improper ...
... tion and discipline of the attention in the early stages of judgment . The first , that , for many beneficent purposes , the nature of man has been made reconcileable by custom to many things naturally painful to it , and even improper ...
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Modern Painters: pt.3. Of the imaginative and theoretic faculties John Ruskin Uten tilgangsbegrensning - 1858 |
Vanlige uttrykk og setninger
Adamite agreeable angel Angelico animal artist association bodily body Brera Gallery Caliban Camillo Procaccini Chap character Christ clouds colour conceive conception Correggio creature degree delight dependent desire dignity divine evident evil existence expression fancy farther fear feeling Fra Angelico Fra Bartolomeo function Gentile Bellini Giorgione Giotto glory hand heart heaven ideal form illustrate imperfection impressions instance intellect kind landscape Laocoon less light look lower Masaccio matter megatherium Michael Angelo mind modes moral nature necessary ness never noble object observed operation outward painful painted painter passion perception perfect Perugino picture Pinturicchio Pitti palace plant pleasure portraiture present proportion pure purity reader received repose respect rightly sense sensual signs Soldanella Alpina soul species spirit sublime suppose sympathy taste theoretic faculty things thought Tintoret tion Titian tree trunk truth typical beauty Unity Venice visible zinc
Populære avsnitt
Side 129 - And he took up his parable and said, Balaam the son of Beor hath said, and the man whose eyes are open hath said...
Side 86 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Side 34 - The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Side 124 - This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart No voice; but oh!
Side 136 - And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Side 136 - So spake the grisly terror, and in shape, So speaking: and so threatening, grew tenfold More dreadful and deform : on the other side, Incensed with indignation, Satan stood Unterrified, and like a comet burned, That fires the length of Ophiuchus huge In the arctic sky, and from his horrid hair Shakes pestilence and war.
Side 37 - Not for these I raise The song of thanks and praise ; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a Creature Moving about in worlds not realised...
Side 166 - ... of its supporting column. This, I think, sufficiently explains the typical character of the whole. The ruined house is the Jewish dispensation ; that obscurely arising in the dawning of the sky is the Christian ; but the corner-stone of the old building remains, though the builder's tools lie idle beside it, and the stone which the builders refused is become the Headstone of the Corner.
Side 4 - He hath made every thing beautiful in his time : also he hath set the world in their heart; so that no man can find out the work that God maketh from the beginning to the end.
Side 124 - That light proceeds, which kindleth lovers' fire, Shall never be extinguished nor decay; But, when the vital spirits do expire, Unto her native planet shall retire; For it is heavenly born and cannot die, Being a parcel of the purest sky.