Proceedings: Twenty Fourth Annual Conference, Goucher College, Baltimore, Maryland, 21-24 June 2001

Adelante aesthetic Albertyn Arbitrator American Dance artistic director audience avant-garde Ballerina Ballet of Canada Balletmaster Balon Banes Bauhaus Beach Birds Biped body cancan Caroso century character Chladek choreographer classical contemporary context Coppélia Copyright 2001 created critics cultural Cunningham Dance History dancers Deleuze Eifman ence Eshkar example experience Federal Theatre Project feminist Fokine Fokine's Forsythe Glasco Globe and Mail Guns & Castanets Hanya Holm Hellerau human Ibid improvisation Interlocutory Award Kaiser Kirov Theater Kudelka Leningrad live London Loyalist ment Merce Cunningham modern dance Moor Moscow motion capture move movement narrative National Ballet Opera Oskar Schlemmer Paul Kaiser performance Petrushka Play political post-modern post-modern dance present Press production relationship repeated role Schlemmer sexual Shakti Shawn social dance Soviet space Sports and Rec stage step sequence structure style Swan Lake theory tion ture University Urban Bush Women woman York