Enlightenment Essays, Volumer 1-3Enlightenment essays, 1970 |
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Side 10
... expression of passion and the expression of passion in nature . Furthermore , Jones ' requirement that an artist must be sincerely moved to affect his audience ( and thus cannot be said to imitate ) is irrelevant in explaining aesthetic ...
... expression of passion and the expression of passion in nature . Furthermore , Jones ' requirement that an artist must be sincerely moved to affect his audience ( and thus cannot be said to imitate ) is irrelevant in explaining aesthetic ...
Side 12
... expression of hu- man passion , variously mixed or pure . Jones thus supposes that the first poetry might have been simple praise of the deity for providing nature's plentitude . By assigning the original source of poetry to the expression ...
... expression of hu- man passion , variously mixed or pure . Jones thus supposes that the first poetry might have been simple praise of the deity for providing nature's plentitude . By assigning the original source of poetry to the expression ...
Side 13
... expression of passion and then defining imitation in such a manner that its very nature precludes the possibility of expression , then it of course follows that some other principle must be discovered to account for poetic effects . The ...
... expression of passion and then defining imitation in such a manner that its very nature precludes the possibility of expression , then it of course follows that some other principle must be discovered to account for poetic effects . The ...
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American argues argument artistic attempt audience Bacon beauty Becky believed Blake Blake's Burnet Cambridge Platonists character Christian Church Cicero civil Cleanthes concept concern critics death Defoe Defoe's deism dialogue Diderot divine DOMASO Dryden dunces Dunciad eclogue effect eighteenth century England English Enlightened Despotism ENLIGHTENMENT ESSAYS Euthyphro existence experience fact genre human Hume Hume's ideas imitation important impotent poor individual intellectual interest Johnson Kant knowledge learning Les Liaisons dangereuses letters literary literature Locke Locke's man's Milton mind modern Montesquieu moral natural law novel passions person Philo philosophical play poem poet poetic poetry political poor Pope position present principles problem Professor rational reader reading reason religion religious RICHARD HARDIN Rousseau Samuel Johnson satire says scripture sense social society Spinoza stanza Swift theory things thought tion tradition truth University Vanity Vanity Fair Voltaire writing Yiddish