The Palmy Days of Nance OldfieldW. Heinemann, 1898 - 272 sider This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. |
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Side 6
... lines which nowadays seem a bit academic and musty . The captain has not forgotten her , however ; on the contrary , he is so charmed with what he hears that he makes some flimsy excuse to get into that room behind the bar whence the ...
... lines which nowadays seem a bit academic and musty . The captain has not forgotten her , however ; on the contrary , he is so charmed with what he hears that he makes some flimsy excuse to get into that room behind the bar whence the ...
Side 11
... lines had been penned . happened at Bath , in the summer of 1703 , and the story of her triumph , brief as it is , sounds quaint and pretty , as it comes down to us laden with a thousand suggestions of fashionable life in the reign of ...
... lines had been penned . happened at Bath , in the summer of 1703 , and the story of her triumph , brief as it is , sounds quaint and pretty , as it comes down to us laden with a thousand suggestions of fashionable life in the reign of ...
Side 15
... by drawing on it the lines of deformity and the wrinkles of old age , and to put on the tawdry habilaments and vulgar manners of an old hypocritical city vixen . " chang'd , from the quoif to the cock'd hat and FROM TAVERN TO THEATRE 15.
... by drawing on it the lines of deformity and the wrinkles of old age , and to put on the tawdry habilaments and vulgar manners of an old hypocritical city vixen . " chang'd , from the quoif to the cock'd hat and FROM TAVERN TO THEATRE 15.
Side 21
... lines are admirably adapted to flatter Anne , and so they are retained , even though what follows happens to be new . * But what care we for the prologue when the first scene is on and Violante and Leonora are con- fessing their ...
... lines are admirably adapted to flatter Anne , and so they are retained , even though what follows happens to be new . * But what care we for the prologue when the first scene is on and Violante and Leonora are con- fessing their ...
Side 22
... lines are decidedly unfeminine and coarse , as viewed from a nineteenth century standard , and there is nothing in them to recommend the two girls to the particular favour of the audience . Yet , in the case of Leonora , they are given ...
... lines are decidedly unfeminine and coarse , as viewed from a nineteenth century standard , and there is nothing in them to recommend the two girls to the particular favour of the audience . Yet , in the case of Leonora , they are given ...
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Vanlige uttrykk og setninger
actors actress Addison admirers Andromache Anne Bracegirdle audience Barton Booth beauty Betterton Bracegirdle Cato character charms Chetwood Christopher Rich Cibber Colley Colley Cibber comedian comedy dear death delightful Distressed Mother Dogget dramatic Drury Lane English epilogue eyes Farquhar fashion favour fellow Foppington friends genius gentleman George Powell give grace Hamlet Haymarket hero honour humour Jane Shore King Kit-Cat Club LADY BETTY LADY EASY laugh Lincoln's Inn Fields London look lover Macbeth madam manager Maynwaring merry Mistress Oldfield Nance Oldfield never night Non-juror opera passion Paul Lorrain performance perhaps person play players pleasure poet poor Porter Queen Anne rôle Santlow Savage says scene Scornful Lady seem'd SIR CHARLES Sir Courtly Sir Richard Sophonisba speak Spectator spirit stage Steele Swiney Tamerlane TATTLEAID tell theatre theatrical thought town tragedy virtue Whig WIDOW Wilks woman writes young
Populære avsnitt
Side 106 - To wake the soul by tender strokes of art, To raise the genius, and to mend the heart, To make mankind, in conscious virtue bold, Live o'er each scene, and be what they behold...
Side 93 - The stars shall fade away, the sun himself Grow dim with age, and Nature sink in years, But thou shalt flourish in immortal youth, Unhurt amidst the war of elements, The wreck of matter, and the crush of worlds.
Side 250 - Angels and ministers of grace defend us! Be thou a spirit of health or goblin damn'd, Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape, That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane, O, answer me!
Side 96 - There is no place of general resort wherein I do not often make my appearance; sometimes I am seen thrusting my head into a round of politicians at Will's, and listening with great attention to the narratives that are made in those little circular audiences. Sometimes I smoke a pipe at Child's; and, while I seem attentive to nothing but the Post-man, overhear the conversation of every table in the room.
Side 107 - The numerous and violent claps of the whig party on the one side of the theatre, were echoed back by the tories on the other ; while the author sweated behind the scenes with concern to find their applause proceeding more from the hand than the head.
Side 98 - I do not know that I meet, in any of my walks, objects which move both my spleen and laughter so effectually, as those young fellows at the Grecian, Squire's, Searle's, and all other coffee-houses adjacent to the law, who rise early for no other purpose but to publish their laziness.
Side 106 - Cato was not so. much the wonder of Rome in his days, as. he is of Britain in ours ; and though all the foolish industry possible has been used to.
Side 140 - Our modern celebrated clubs are founded upon eating and drinking, which are points wherein most men agree, and in which the learned and illiterate, the dull and the airy, the philosopher and the buffoon, can all of them bear a part.
Side 35 - ... hearing what fell from the weakest utterance; all objects were thus drawn nearer to the sense ; every painted scene was stronger, every grand scene and dance more extended ; every rich or fine-coloured habit had a more lively lustre : nor was the minutest motion of a feature (properly changing with the passion or humour it suited) ever lost, as they frequently must be in the obscurity of too great a distance...
Side 107 - Cato, into the box, between one of the acts, and presented him with fifty guineas, in acknowledgment, as he expressed it, for defending the cause of liberty so well against a perpetual dictator. The Whigs are unwilling to be distanced this way, and therefore design a present to the same Cato very speedily ; in the...
Referanser til denne boken
Drama Bibliography: A Short-title Guide to Extended Reading in Dramatic Art ... Ingen forhåndsvisning tilgjengelig - 1971 |