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Side vii
... Effect of , 131 . Wonders of the , 180 . Magnets , New Mode of Making Artificial , 195 . Mahogany , to Remove Stains from , 119 . Malleable Glass , 90 . Manifold Writers , 184 . Maple - Wood Imitating , 102 , 112 . Masonry , Iron - work ...
... Effect of , 131 . Wonders of the , 180 . Magnets , New Mode of Making Artificial , 195 . Mahogany , to Remove Stains from , 119 . Malleable Glass , 90 . Manifold Writers , 184 . Maple - Wood Imitating , 102 , 112 . Masonry , Iron - work ...
Side 7
... effect . The frieze beneath the ceiling is enriched with a scroll in relief - white upon a dull red ground . The gilded brass - work of the railing is arranged in curves of elegant design . We might have pre- ferred the four allegorical ...
... effect . The frieze beneath the ceiling is enriched with a scroll in relief - white upon a dull red ground . The gilded brass - work of the railing is arranged in curves of elegant design . We might have pre- ferred the four allegorical ...
Side 9
... effect . The ance of getting out of their carriages in the wet , and the street approaches are widened . On entering by the grand front , a magni- ficent hall and staircase attract attention . These are decorated with columns painted in ...
... effect . The ance of getting out of their carriages in the wet , and the street approaches are widened . On entering by the grand front , a magni- ficent hall and staircase attract attention . These are decorated with columns painted in ...
Side 15
... effects produced are studies of the most correct but an accident has carried this date five years class , exhibiting ... effect , the secret of combining high and delicate finish with general boldness of style . yet EARLIEST KNOWN PRINT ...
... effects produced are studies of the most correct but an accident has carried this date five years class , exhibiting ... effect , the secret of combining high and delicate finish with general boldness of style . yet EARLIEST KNOWN PRINT ...
Side 17
... effect of the House is magnificent in the extreme ; the length and loftiness of the apartment , its finely - proportioned windows , with the gilded and canopied niches between them ; the Royal Throne , glowing with gold and colours ...
... effect of the House is magnificent in the extreme ; the length and loftiness of the apartment , its finely - proportioned windows , with the gilded and canopied niches between them ; the Royal Throne , glowing with gold and colours ...
Vanlige uttrykk og setninger
acid æther ancient angle appear applied arch architecture architrave artist beauty boiling bricks building carbonate carbonic acid centre colour construction continued copal copper cornice Decoration DECORATOR'S ASSISTANT diameter dissolved Doric order draw effect Electric Telegraph employed engraving entablature equal exhibit feet figure gamboge gilding glass gold heat height heraldry Holywell-street inches invention iron lamp-black length letter light lime linseed oil London manner manufacture mastic material means ment metal mixed mould nature nitric acid Notices to Correspondents object obtained ornament ounces ovolo oxide painter painting paper papier-mâché Paul Veronese perfect picture piece placed plaster plate polished portion pounds present produced proportion purpose quantity QUERIES racter rendered Roman rubbed sculpture side silver solid solution specimens square stone Strand style surface taste thick tion triglyphs turpentine Tuscan order varnish walls wood
Populære avsnitt
Side 128 - If you have great talents, industry will improve them ; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour: nothing is to be obtained without it...
Side 142 - He examines his own mind, and perceives there nothing of that divine inspiration, with which he is told so many others have been favoured. He never travelled to heaven to gather new ideas ; and he finds himself possessed of no other qualifications than what mere common observation and a plain understanding can confer.
Side 98 - Who, when he saw the first sand or ashes, by a casual intenseness of heat, melted into a metalline form, rugged with excrescences, and clouded with impurities, would have imagined, that in this shapeless lump lay concealed so many conveniences of life, as would in time constitute a great part of the happiness of the world...
Side 98 - ... at one time with the unbounded extent of the material creation, and at another with the endless subordination of animal life; and, what is yet of more importance, might supply the decays of nature, and succour old age with subsidiary sight.
Side 142 - I have remarked in ,a former Discourse, must be employed in the attainment of mechanical dexterity, and confined to the mere imitation of the object before him. Those who have advanced beyond the rudiments, may, perhaps, find advantage in reflecting on the advice which I have likewise given them, when I recommended the diligent study of the works of our great predecessors ; but I at the same time endeavoured to guard them against an implicit submission to the authority of any one master however excellent...
Side 143 - Nature, or, in other words, what is particular and uncommon, can be acquired only by experience ; and the whole beauty and grandeur of the art consists, in my opinion, in being able to get above all singular forms, local customs, particularities, and details of every kind.
Side 143 - By this means, he acquires a just idea of beautiful forms ; he corrects nature by herself, her imperfect state by her more perfect. His eye being enabled to distinguish the accidental deficiencies, excrescences, and deformities of things, from their general figures, he makes out an abstract idea of their forms more perfect than any one original...
Side 143 - Nature upon close examination will be found to have their blemishes and defects. The most beautiful forms have something about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms ; and which, by a long habit of observing what any set of objects of the same kind have in common, has acquired the power of discerning what each wants in particular.
Side 103 - Few have been taught to any purpose, who have not been their own teachers. We prefer those instructions which we have given ourselves, from our affection to...
Side 128 - ... the age of maturity. But while I mention the portcrayon as the Student's constant companion, he must still remember, that the pencil is the instrument by which he must hope to obtain eminence. What, therefore, I wish to impress upon you is, that, whenever an opportunity offers, you paint your studies instead of drawing them.