Patterns in Shakespearian TragedyMethuen, 1960 - 205 sider |
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Side 23
... God's plan to free England from sin and to unite her finally under the rule of the Tudors . Richard's very challenging of God's order is , like Satan's , a furthering of God's purposes . His evil in the larger view is part of a greater ...
... God's plan to free England from sin and to unite her finally under the rule of the Tudors . Richard's very challenging of God's order is , like Satan's , a furthering of God's purposes . His evil in the larger view is part of a greater ...
Side 71
... God's universal order . Hamlet here is not a philosopher . He is the very opposite , man untutored , and therefore unable to bear the burdens of human life . This is the low point which from , like Romeo , he must grow to maturity . To ...
... God's universal order . Hamlet here is not a philosopher . He is the very opposite , man untutored , and therefore unable to bear the burdens of human life . This is the low point which from , like Romeo , he must grow to maturity . To ...
Side 98
... God , Iago strikes at the root of Christian humanism , for the ' natural law ' which it saw as the guiding principle in human affairs was a reflection of the divine law of God , an eman- ation of God's love for his creation and of the ...
... God , Iago strikes at the root of Christian humanism , for the ' natural law ' which it saw as the guiding principle in human affairs was a reflection of the divine law of God , an eman- ation of God's love for his creation and of the ...
Innhold
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
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accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice