Patterns in Shakespearian TragedyMethuen, 1960 - 205 sider |
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Side 37
... king . Just as the story of Richard III had already been shaped by Shakespeare's predecessors into a vehicle for tragedy , that of King John had been given tragic potentialities in the two - part Trouble- some Reign of John which was ...
... king . Just as the story of Richard III had already been shaped by Shakespeare's predecessors into a vehicle for tragedy , that of King John had been given tragic potentialities in the two - part Trouble- some Reign of John which was ...
Side 45
... King John . As Richard falls , Henry rises , and in the deposi- tion scene of the fourth act Richard gives to Henry the symbolic representation of England which is always in the title of the king . Shakespeare uses York to emphasize ...
... King John . As Richard falls , Henry rises , and in the deposi- tion scene of the fourth act Richard gives to Henry the symbolic representation of England which is always in the title of the king . Shakespeare uses York to emphasize ...
Side 49
... King Richard's tomb , And not King Richard ; thou most beauteous inn , Why should hard - favour'd grief be lodged in thee , When triumph is become an alehouse guest ? ( V.i.7-15 ) Since the cause of Richard's downfall has been political ...
... King Richard's tomb , And not King Richard ; thou most beauteous inn , Why should hard - favour'd grief be lodged in thee , When triumph is become an alehouse guest ? ( V.i.7-15 ) Since the cause of Richard's downfall has been political ...
Innhold
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
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accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice