Apollinaire, Visual Poetry, and Art Criticism

Forside
Bucknell University Press, 1993 - 269 sider
As one would expect, part of the book is directed toward readers who are familiar with Apollinaire or who would like to know more about him. Since Apollinaire is a major poet, any project connected with his work will also interest readers who are concerned with modern French poetry in general. While at first glance the texts themselves may appear to be peripheral, the principles they embody are central not only to Apollinaire's poetry but to modern aesthetics as well. The more we learn about the calligrams, the better equipped we will be to appreciate his efforts and the closer we will come to understanding his concept of visual poetry. Similar remarks apply to Apollinaire's experiments with cubist poetry and with the poem in prose - both examined in the present volume.
 

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IV
27
V
56
VI
99
VII
136
VIII
208
IX
245
X
254
XI
262
XII
265
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Side 22 - The most basic models would seem to be the binary opposition, the dialectical resolution of a binary opposition, the displacement of an unresolved opposition by a third term, the four-term homology, the series united by a common denominator, and the series with a transcendent or summarizing final term.

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