Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 18
... beauties and faults of the works and of their parts . Since the rules are not absolute , and since great beauties excuse faults , the critic's function becomes that of the tasteful observer in discovering beauties . Not only because the ...
... beauties and faults of the works and of their parts . Since the rules are not absolute , and since great beauties excuse faults , the critic's function becomes that of the tasteful observer in discovering beauties . Not only because the ...
Side 95
... beauties . He takes up in each paper one aspect of the epic and illus- trates by significant quotation and citation the beauties of Milton's handling of that aspect . An analysis of the papers on Milton's epic shows that he devotes one ...
... beauties . He takes up in each paper one aspect of the epic and illus- trates by significant quotation and citation the beauties of Milton's handling of that aspect . An analysis of the papers on Milton's epic shows that he devotes one ...
Side 96
... beauties even in what he considers Milton's fault in treating allegorical characters as real persons.63 This concentration upon the beauties of Paradise Lost and this repeated emphasis upon the effectiveness of indi- vidual parts of the ...
... beauties even in what he considers Milton's fault in treating allegorical characters as real persons.63 This concentration upon the beauties of Paradise Lost and this repeated emphasis upon the effectiveness of indi- vidual parts of the ...
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ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil