Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 37
... literature and that in imagin- ative literature . ( See Donald F. Bond , " Distrust of Imagin- ation in English Neo - Classicism , Philogical Quarterly XIV , ( 1935 ) , 54-69 . ) Genius , far from being scorned , became more and more to ...
... literature and that in imagin- ative literature . ( See Donald F. Bond , " Distrust of Imagin- ation in English Neo - Classicism , Philogical Quarterly XIV , ( 1935 ) , 54-69 . ) Genius , far from being scorned , became more and more to ...
Side 39
... literature of the past . He attempts an understanding of the literature in terms of the mores and customs of the age in which it was written . He uses all the means at his command for that first requisite of literary criticism ...
... literature of the past . He attempts an understanding of the literature in terms of the mores and customs of the age in which it was written . He uses all the means at his command for that first requisite of literary criticism ...
Side 222
... literature and as applied to intellec- tual literature . The distrust of imagination in artistic works , he points out , was more severe toward prose than to- ward poetry . Most critics did not deny the importance of imagination ; they ...
... literature and as applied to intellec- tual literature . The distrust of imagination in artistic works , he points out , was more severe toward prose than to- ward poetry . Most critics did not deny the importance of imagination ; they ...
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ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil