Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 54
... objects , when the objects are not actually before the eye , but are called up into our memories , or formed into agreeable visions of things that are either absent or fictitious . He points out that although all images in the fancy ...
... objects , when the objects are not actually before the eye , but are called up into our memories , or formed into agreeable visions of things that are either absent or fictitious . He points out that although all images in the fancy ...
Side 90
... objects strongly to an inviolable rule that poetic justice must always be observed . Similarly in his own objections to allegorical figures represented as real , Addison does not allow his generalization to become frozen into an ...
... objects strongly to an inviolable rule that poetic justice must always be observed . Similarly in his own objections to allegorical figures represented as real , Addison does not allow his generalization to become frozen into an ...
Side 168
... objects them- selves . Particularly is this true when the objects are dis- pleasing . But when the object described is itself great , new , and beautiful , there is a double pleasure : that in the ob- ject , and that in comparing the ...
... objects them- selves . Particularly is this true when the objects are dis- pleasing . But when the object described is itself great , new , and beautiful , there is a double pleasure : that in the ob- ject , and that in comparing the ...
Innhold
ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil