Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 175
... passions are significantly related to secondary pleasures of imagination . Pleasures are for Addison , as for Hobbes , and , as we shall see , for Locke , the source of the passions ; and for Addison the basic unit of the imagina ...
... passions are significantly related to secondary pleasures of imagination . Pleasures are for Addison , as for Hobbes , and , as we shall see , for Locke , the source of the passions ; and for Addison the basic unit of the imagina ...
Side 195
... passions.95 Further , after directing us toward an examination of this aspect of the composition of the mind , and after an analysis of the several passions , Locke particularly stresses the point that by pleasure and pain he means ...
... passions.95 Further , after directing us toward an examination of this aspect of the composition of the mind , and after an analysis of the several passions , Locke particularly stresses the point that by pleasure and pain he means ...
Side 210
... passions and of its power to arouse the passions . of these passions in terms of pleasures and pains . ( Addison's emphasis upon pleasures is brought to mind . ) Significantly , however , Descartes in this exposition gives an ...
... passions and of its power to arouse the passions . of these passions in terms of pleasures and pains . ( Addison's emphasis upon pleasures is brought to mind . ) Significantly , however , Descartes in this exposition gives an ...
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ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil