Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 131
... refers to the Poetics ; but his emphasis is upon the application of the implied principles rather than upon their exposition.30 26Spectator 285 . 27 Aristotle , Rhetoric , III , ix , 9 . 28 Spectator 285 . 29 Spectator 61 ; Addison refers ...
... refers to the Poetics ; but his emphasis is upon the application of the implied principles rather than upon their exposition.30 26Spectator 285 . 27 Aristotle , Rhetoric , III , ix , 9 . 28 Spectator 285 . 29 Spectator 61 ; Addison refers ...
Side 153
... refers to Longinus ' distinction between emotions and sublimity : Now if it be thought that sublimity and emotion were the same thing , and that one always essentially involved the other , he is wrong . For one can find emotion that is ...
... refers to Longinus ' distinction between emotions and sublimity : Now if it be thought that sublimity and emotion were the same thing , and that one always essentially involved the other , he is wrong . For one can find emotion that is ...
Side 158
... refers to Horace and his expression of critical ideas . He quotes Horace's advice that violence be kept offstage and notes the French harden- ing of it into a rule.115 He quotes his advice that scenes in which armies and multitudes take ...
... refers to Horace and his expression of critical ideas . He quotes Horace's advice that violence be kept offstage and notes the French harden- ing of it into a rule.115 He quotes his advice that scenes in which armies and multitudes take ...
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ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil