Joseph Addison as Literary CriticStanford University, 1950 - 474 sider |
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Side 88
... unity of effect of Paradise Lost : the council in Hell , the battle of the angels , and the creation of the world.45 Similarly , he approves Milton's introduction of elements to " amuse and relax " the reader.46 He defends this Ker , 44 ...
... unity of effect of Paradise Lost : the council in Hell , the battle of the angels , and the creation of the world.45 Similarly , he approves Milton's introduction of elements to " amuse and relax " the reader.46 He defends this Ker , 44 ...
Side 94
Mitchell Marcus. When he deals with the basic unity , the unity of action , Addison is more strict . He objects to double plots because they tend to impair the unity of action and the unity of tone of the drama . But he qualifies his ...
Mitchell Marcus. When he deals with the basic unity , the unity of action , Addison is more strict . He objects to double plots because they tend to impair the unity of action and the unity of tone of the drama . But he qualifies his ...
Side 125
... unity of the work , is again completely Aristotelian in spirit and idea.5 And he undoubtedly has the Poetics in mind when he agrees that epic poetry must by its very nature sacrifice some of the unity which tragedy can achieve . ve.6 ...
... unity of the work , is again completely Aristotelian in spirit and idea.5 And he undoubtedly has the Poetics in mind when he agrees that epic poetry must by its very nature sacrifice some of the unity which tragedy can achieve . ve.6 ...
Innhold
ADDISONS CRITICAL PRACTICE | 73 |
ADDISONS RELATIONSHIP TO CLASSICAL CRITICISM | 123 |
ADDISONS RELATIONSHIP TO SEVENTEENTHCENTURY | 161 |
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Addison writes Addison's critical Addison's theory Addison's treatment Aeneis aesthetics analysis ancients Answer to Davenant applies Aristotelian Aristotle Aristotle's attitude beauties beauties-and-faults belief Blackmore characters Chevy Chase cites compares concept consider critical theory deals Dennis Descartes dramatic Dryden effectiveness Eighteenth Century elements elevates emphasis England English criticism epic Essay faculty faculty psychology fancy faults French function genius and imagination Gondibert Gregory Smith History Hobbes Homer Horace Ibid images imitation of authors infra insists language Leviathan literary criticism literature Locke Locke's Longinus mind modern moral purpose nature neo-classical objects Ovid Paradise Lost passions perhaps philosophers pleasures and pains pleasures of imagination poem Poesy poet poetic justice poetry points Professor Hooker Professor Thorpe psychology purpose of art quotes readers rules Rymer sense sentiments Shakespeare Similarly soul Spectator 417 Spectator 70 Spingarn sublime supra taste Tatler Thomas Hobbes thought tion tradition tragedy Troilus and Cressida unity Virgil