The Thomas Hardy Journal, Volumer 21-22Thomas Hardy Society, 2005 |
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Side 79
Jude's photograph is more visible to the broker than Jude's own face before him . And the frame is seen as more valuable than Jude's image inside it and even more valuable without the image at all which can be taken out and thrown away ...
Jude's photograph is more visible to the broker than Jude's own face before him . And the frame is seen as more valuable than Jude's image inside it and even more valuable without the image at all which can be taken out and thrown away ...
Side 82
... Jude reading Sue , who is herself reading , is poignantly enhanced by the darkness in which Jude stands , straining his vision upon the distinctly lit room whose window casement frames Sue . He watches her opening a box and removing ...
... Jude reading Sue , who is herself reading , is poignantly enhanced by the darkness in which Jude stands , straining his vision upon the distinctly lit room whose window casement frames Sue . He watches her opening a box and removing ...
Side 83
... Jude is at Sue's window , that while we are included as an observer in the moment itself , the visualised memory of the moment the photograph – emphasises that we stand outside the picture on which we gaze . - Interestingly , Hardy's ...
... Jude is at Sue's window , that while we are included as an observer in the moment itself , the visualised memory of the moment the photograph – emphasises that we stand outside the picture on which we gaze . - Interestingly , Hardy's ...
Innhold
THOMAS HARDY JOURNAL Vol XXI Autumn 2005 | 5 |
HARDYS TESS JANE HARRISON AND THE TWILIGHT OF A GODDESS | 27 |
HARDY DEATH AND THE PSYCHOSOMATIC | 58 |
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