Satires and EpistlesClarendon Press, 1872 - 164 sider |
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Side 5
... English analogue is substituted in every instance for the Roman original . It may be said to be a perfect translation , the persons and things being transferred as well as the words . All translation from an ancient into a modern ...
... English analogue is substituted in every instance for the Roman original . It may be said to be a perfect translation , the persons and things being transferred as well as the words . All translation from an ancient into a modern ...
Side 6
... English authors throughout for the French examples . And in his translation of Juvenal , Dryden could not resist introducing Shadwell's name . But Rochester ( died 1680 ) , in what he calls an Allusion to the tenth Sat. of first Book of ...
... English authors throughout for the French examples . And in his translation of Juvenal , Dryden could not resist introducing Shadwell's name . But Rochester ( died 1680 ) , in what he calls an Allusion to the tenth Sat. of first Book of ...
Side 7
... no period since the great Civil War had the spirit of faction so possessed the English nation . Everything else merged in it . The violence of the parliamentary struggle engendered a violence of language which lost in INTRODUCTORY . 7.
... no period since the great Civil War had the spirit of faction so possessed the English nation . Everything else merged in it . The violence of the parliamentary struggle engendered a violence of language which lost in INTRODUCTORY . 7.
Side 14
... English Homer - that he owed his own comfortable home . To use his own sarcasm against Addison ( Sat. and Ep . Prol . 200 ) , he hated for arts that caus'd himself to rise . ' The Dunciad is the piece which is most obnoxious to this ...
... English Homer - that he owed his own comfortable home . To use his own sarcasm against Addison ( Sat. and Ep . Prol . 200 ) , he hated for arts that caus'd himself to rise . ' The Dunciad is the piece which is most obnoxious to this ...
Side 18
... English language , by the perfection of his form . Our language is not feeble as a vehicle of emotion , or scanty as a medium of ideas . But it is , in its ordinary employment by our writers , clumsy , cumbrous , without grace , loaded ...
... English language , by the perfection of his form . Our language is not feeble as a vehicle of emotion , or scanty as a medium of ideas . But it is , in its ordinary employment by our writers , clumsy , cumbrous , without grace , loaded ...
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Pope. Satires and Epistles, Ed. by M. Pattison Alexander Pope Ingen forhåndsvisning tilgjengelig - 2016 |
Vanlige uttrykk og setninger
Addison allusion Arbuthnot authors Balliol College Bishop Blackmore Boileau Bolingbroke Book Budgel Carruthers character Church Cibber Clarendon Press Series cloth College court died Dindorfii Dryden Duke Dunciad Edward Wortley Montagu England English Essay Eton College ev'n ev'ry Extra fcap fame fcap fools formerly Fellow genius George grace Greek heav'n History honour Imitation of Horace John Johnson King knave language laugh libeller Lincoln College literature live London Lord Bolingbroke Lord Fanny Lord Hervey lov'd muse ne'er never noble numbers Oriel College Oxford P. G. Tait Pindaric pleas'd poems poet poetry Pope pow'r praise Prince Professor Prol Queen rhyme Roman Satires and Epistles satirist Sir Robert soul Spence Swift taste thou thought thro translation truth University of Oxford verse vice virtue W. W. Skeat Walpole Warburton's Warton Whig write
Populære avsnitt
Side 30 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer ; Willing to wound, and yet afraid to strike, Just hint a fault, and hesitate dislike...
Side 33 - Whose buzz the witty and the fair annoys, Yet wit ne'er tastes, and beauty ne'er enjoys : So well-bred spaniels civilly delight In mumbling of the game they dare not bite. Eternal smiles his emptiness betray, As shallow streams run dimpling all the way.
Side 30 - Who but must laugh, if such a man there be? Who would not weep, if Atticus were he ? What though my name stood rubric on the walls Or plaster'd posts, with claps, in capitals ? Or smoking forth, a hundred hawkers...
Side 52 - Who counsels best ? who whispers, ' Be but great, With praise or infamy leave that to fate; Get place and wealth, if possible, with grace ; If not, by any means get wealth and place.
Side 145 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, "Would he ' had blotted a thousand," which they thought a malevolent speech.
Side 27 - Say, for my comfort, languishing in bed, 'Just so immortal Maro held his head'; And, when I die, be sure you let me know Great Homer died three thousand years ago. Why did I write? what sin to me unknown Dipp'd me in ink, my parents', or my own?
Side 144 - whispers through the trees": If crystal streams "with pleasing murmurs creep," The reader's threaten'd (not in vain) with "sleep": Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.
Side 29 - Pretty! in amber to observe the forms Of hairs, or straws, or dirt, or grubs, or worms! The things, we know, are neither rich nor rare, But wonder how the devil they got there.
Side 28 - Commas and points they set exactly right, And 'twere a sin to rob them of their mite.
Side 64 - Who now reads Cowley ? if he pleases yet, His moral pleases, not his pointed wit ; Forgot his epic, nay Pindaric art, But still I love the language of his heart.