College Entrance Requirements in English, 1901-1905 (for Study and Practice).American Book Company, 1895 |
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Side 80
plan , it cannot accord with one whose foundation is perpetual discord . Compare the two . This I offer to give you is plain and sim- ple ; the other , full of perplexed and intricate mazes . This is mild ; that harsh . This is found by ...
plan , it cannot accord with one whose foundation is perpetual discord . Compare the two . This I offer to give you is plain and sim- ple ; the other , full of perplexed and intricate mazes . This is mild ; that harsh . This is found by ...
Side 8
... compare with ' Othello ' in profoundness of design and careful carrying out of the charac- ters ; if none with ' Lear ' in the power of contending passions , and none with ' Cymbeline ' in the importance of moral principles , ' Macbeth ...
... compare with ' Othello ' in profoundness of design and careful carrying out of the charac- ters ; if none with ' Lear ' in the power of contending passions , and none with ' Cymbeline ' in the importance of moral principles , ' Macbeth ...
Side 105
... Compare the method of " Julius Cæsar , " " Hamlet , " and " King Lear . " Scene III . 1. In what kind of exploits are the witches wont to engage ? How does this reveal their character ? 2. What supernatural powers have they ? 3. What ...
... Compare the method of " Julius Cæsar , " " Hamlet , " and " King Lear . " Scene III . 1. In what kind of exploits are the witches wont to engage ? How does this reveal their character ? 2. What supernatural powers have they ? 3. What ...
Side 106
... Compare the motives of Brutus in " Julius Cæsar , " Act I. , Scene II .; Act II . , Scene I. , and elsewhere . 5. Compare the spirit of the king's speeches to Macbeth with Mac- beth's replies . Is there any evidence of constraint in the ...
... Compare the motives of Brutus in " Julius Cæsar , " Act I. , Scene II .; Act II . , Scene I. , and elsewhere . 5. Compare the spirit of the king's speeches to Macbeth with Mac- beth's replies . Is there any evidence of constraint in the ...
Side 107
... Compare the method in " Julius Cæsar , " Act II . , Scene II . 3. What feelings are most prominent in Duncan's speeches ? 4. Why does Lady Macbeth dwell so much upon " honors " and " duties " ? 5. Why is Macbeth absent ? 6. Why does ...
... Compare the method in " Julius Cæsar , " Act II . , Scene II . 3. What feelings are most prominent in Duncan's speeches ? 4. Why does Lady Macbeth dwell so much upon " honors " and " duties " ? 5. Why is Macbeth absent ? 6. Why does ...
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College Entrance Requirements in English, 1901-1905 (for Study and Practice). Uten tilgangsbegrensning - 1896 |
College Entrance Requirements in English, 1901-1905 Hardpress Ingen forhåndsvisning tilgjengelig - 2012 |
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Addison Æneid Æschylus Ambrose Philips ancient appeared Banquo beauty blood Burke called character Charles charm Church colonies Comus court Crown death Donalbain Duncan England English Enter essays evil Exeunt father fear feel Fleance friends genius give grace Greek hand hath heaven Hecate honor House Il Penseroso Iliad Ireland JOHN MILTON Julius Cæsar king L'Allegro Lady Macbeth Lady Macduff Latin Lennox liberty literary literature live look lord Lycidas Malcolm means Milton mind Murderer nature never night noble Note Paradise Lost Parliament party play poem poet poetry political Pope principles Queen reign resolution Roman Ross scene Shakespeare Siward speak Spectator speech spirit Steele strange style Swift Tatler taxes Thane thee things thou thought Tickell tion Tories truth verse virtue Whig William Witch words writer wrote
Populære avsnitt
Side 13 - To hear the lark begin his flight, And singing startle the dull night, From his watch-tower in the skies, Till the dappled dawn doth rise...
Side 25 - With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light. There let the pealing organ blow To the full-voiced quire below In service high and anthems clear As may with sweetness, through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes.
Side 21 - Thee, chauntress, oft the woods among I woo, to hear thy even-song ; And, missing thee, I walk unseen On the dry smooth-shaven green, To behold the wandering moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way, 70 And oft, as if her head she bowed, Stooping through a fleecy cloud.
Side 71 - Enow of such as for their bellies' sake Creep, and intrude, and climb into the fold ! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest; Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learnt aught else the least That to the faithful herdman's art belongs ! What recks it them?
Side 94 - She should have died hereafter; There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death.
Side 88 - Fife had a wife: where is she now? What! will these hands ne'er be clean? No more o' that, my lord, no more o' that: you mar all with this starting.
Side 38 - One cried, God bless us! and, Amen, the other; As they had seen me," with these hangman's hands. Listening their fear, I could not say, amen, When they did say, God bless us.
Side 27 - Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief!
Side 73 - Bid Amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies. For, so to interpose a little ease, Let our frail thoughts dally with false surmise; Ay me...
Side 36 - Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it.