Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 sider |
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Side 38
... already disposed toward ill will . Critics , of course , have pointed out that Iago's statement is quite out of keeping with his own characterization of Othello in such statements as " The Moor is of a free and open nature ” ( I : iii ...
... already disposed toward ill will . Critics , of course , have pointed out that Iago's statement is quite out of keeping with his own characterization of Othello in such statements as " The Moor is of a free and open nature ” ( I : iii ...
Side 72
... already aware of certain shortcomings in his character , as we see in Act III , Scene i , where the Duke explains to Isabella that , because Mariana's dowry was accidentally lost , Angelo re- fused to marry her . Instead , he " left her ...
... already aware of certain shortcomings in his character , as we see in Act III , Scene i , where the Duke explains to Isabella that , because Mariana's dowry was accidentally lost , Angelo re- fused to marry her . Instead , he " left her ...
Side 89
... already noted that , whenever effec- tive motivation of villains is found , it is most likely to appear in the early , expository scenes . Although , as I shall try to show , the motivation of Regan and Goneril is not so clearly set ...
... already noted that , whenever effec- tive motivation of villains is found , it is most likely to appear in the early , expository scenes . Although , as I shall try to show , the motivation of Regan and Goneril is not so clearly set ...
Innhold
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Opphavsrett | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife