Goethe's Faust and European Epic: Forgetting the FutureCamden House, 2007 - 276 sider A reassessment of genre that fills a major gap in Goethe's oeuvre and initiates a radically new reading of Faust. Goethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa. |
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... present . Economic history would tend to confirm his argument that somewhere between 1400 and 1600 there was a decisive shift in European thinking about the theological implications of wealth . Where before usury and self - interest had ...
... present , drinking , joking , laughing with Goethe and his friends . So does a feeling of skepticism about " the best historians " and the reli- ability of their accounts . If Lycurgus can be so quickly elevated here to saint and martyr ...
... present yet separated , corresponds to the constellation in the drama . The visual pun of the prominent phallic - shaped water tap near the melancholic's crotch , already noted by Wind , would correspond to the genital allusions of ...
Innhold
The System of European Epic | 20 |
Faust and Epic History | 36 |
The Roots of Evil | 87 |
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